Santana And Rob Thomas: Smooth (BMG, 1999)Sorry, but I like it.
But then, I have just got in from the pub...
Life. Love. Music. Food.
Santana And Rob Thomas: Smooth (BMG, 1999)
Secos & Molhados: Amor (Continental, 1973)
The Stained Glass: My Buddy Sin (RCA, 1966)
Sit down, take a deep breath and try to control the thrice-thumping beats of your heart, for this is the new KT Tunstall album. I've just played it. It's nice. I literally like it. But then I literally like her. She's nice (this is the white-hot end of music criticism right here...). Anyway, one of the tracks sounds a bit like someone said, "Hey! KT! Any chance you could write another one just a little bit like Suddenly I See?" But it's good. Nice tunes. I could do this stuff all day!
Well, this guy clearly does. All the fruit pictured has been bought from various farmer's markets in and around Berlin and all of it is 100% natural. This is what we should be eating...
Because we're sophisticated, tuned-in and artistic, while also remaining urban, edgy and on-point, we went to the Village Fête at the V&A yesterday. Oh yes. And it wasn't just because our route would (sort of) take us past that great bakery (Ayres) in Nunhead just as they were whipping the old sausage rolls out of the oven. Anyway, it was great (as were they) and the following things happened:
I've always been a bit of an archivist, always trying to capture and document a moment in time. Maybe it's because my parents came to England from Italy before I was born with no heirlooms and took very few photgraphs as we all grew up and perhaps I'm trying to make up for it. So, our house is stuffed with scrapbooks and photo albums of pictures of my dinner and people I met only once along with notes on days out, tickets and programmes. It's lucky then that I, the archivist who loves to log everything, happened to marry a nostaligist who loves nothing more than to pull out an album or two from the collection and reminisce about the good old days.

Bud Shank: I Am The Walrus (World Pacific, 1968)
Stars: My Favourite Book (City Slang, 2007)
The time-waster that was buying my old flat pulled out of the deal yesterday. Apparently he doesn't have any faith in the London housing market. That's reassuring isn't it. Perhaps he could have decided that before he visited a thousand times, drew up lots of plans and made an offer which we then accepted. Anyway: gorgeous, 3 double-bedroom, purpose-built, red-brick mansion flat for sale in sunny Camberwell!
When it clouded over again this afternoon, me and Scrap flipped a coin and cinema beat swimming (hooray!). We did a deal on him getting his own popcorn provided he stayed in his seat for the whole film. He stuck to the bargain but made up for it by jumping and cheering every time the bionic gingerbread man came on and shouting out stuff in the quieter bits (mostly "why that bad man do that!?" and "watch out!!" but also "that stinky baby did a boff!!" ) at the top of his voice....
Jerry Reed: When I Found You (Capitol, 1956)
Scout Niblett: Comfort You (Too Pure, 2007)
10cc: I'm Not In Love (Mercury, 1975)
I think you might as well write off the rest of the day. This chap over here has compiled a site featuring the greatest, oddest, most eye-popping LP covers evah. This one on the right is among the tamest. This one might just be the greatest record ever made. This chap looks familiar (great name too).
As I get older I'm becoming a bit pro-Royal. It's not that I'm interested in any of them particularly but I really love that we in Britain have a Royal Family. We're a small, modern country turning out brilliant comedy, music, fashion etc etc and yet at the same time we have these ancient, meaningless traditions. Earls, Duchesses, Princes, Dames and Lords. And best of all, we have knights. Knights! Like it's 1532 or something! Odd little Island this, isn't it?
I opened my post and this was in it. Literally, hurray! King Creosote's last album was an absolute doozy. And this 4 Track sampler would appear to suggest that:
The Last Poets: Oh My People (Cellulloid, 1984)
I made this today for tea tonight, I know it's July and I should be making salads but I wanted some comfort food, alright!
The Tribe: Here Comes The Sun (Pickwick, 1971)
Nancy Elizabeth: The Remote Past (The Leaf Label, 2007)
I would like to thank Mel for nominating me to wear the pink badge. I'm very delighted to still be classed as a girl. I am passing the badge on to lovely Nunhead Mum of One.
Suzanne Vega: Marlene On The Wall (A&M, 1985)
The Five Keys: Too Late Baby (Capitol, 1951)
Arthur & Yu: 1000 Words (Memphis Industries, 2007)
The Will It Blend? series on You Tube are, on the whole, a bit great. But this iPhone edition takes geek baiting and the (literal) deconstruction of consumer greed to a whole new level...